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Gestalt Principles of Logo Designs

Gestalt Principles of Logo Designs

Logo design is not about assembling a sign; it is more about conveying an actualization of a certain brand. Gestalt is a general term in psychology that covers how people sort visual stimuli. These principles were developed early in the 20th century and state that people evaluate wholes instead of individual elements. This guarantees that the company creates friendly and easily understandable designs. 

Gestalt psychology comes  from investigations conducted by German researchers concerning perception of phenomenon of shapes and forms. That is why some principles like similarity, proximity, and closure are used in the design to make a nice and understandable visual. 

With these principles, logo designers ensure that logos are not only aesthetically appealing but also effective in communicating brand messages. The principles of Gestalt theory help make scanning pictures and logos quicker and more sustainable. Following these principles is necessary in order to create logos that are unmatched and suitable for the brand.

Table of contents

  1. Understanding the Gestalt Principles
  2. Gestalt in Famous Logos
  3. Gestalt Principles in the Digital Age
  4. Future of Gestalt in Logo Design
  5. Common Logo Design Flaws and How to Resolve Them
  6. Conclusion

Understanding the Gestalt Principles

Understanding the Gestalt Principles

Similarity

Similarity

This idea holds that if the objects in a design resemble each other, they cluster together because they are in the same category. In logo design, this may be achieved through the use of similar shapes, colors, or positions of images. For example, if a logo consists of different segments of the design, and if these two segments are the same color or the same shape, people will quickly realize that these segments belong to one and the same logo. This makes it easier for people to group all the products together as being from the same firm because they are designed similarly.

Proximity

Proximity

Proximity is to place some elements near other elements or as near as possible so that people can cluster them together. From the perspective of logos, an object is positioned in an organization such that there is some correlation between the two. For Example, if a logo contains multiple icons or text boxes, the locations for these should be adjacent because a viewer, seeing them, should not be able to make the distinction that they are two distinct concepts or messages. This principle plays a role in the positioning of the design and also assists the viewers in visualizing the general relationship between the components of the logo

When looking at the IBM logo, our brain connects the horizontal bars together. This makes us perceive three letters composed of short lines piled up on each other, not eight lines with spaces between them.

Continuity

Continuity

Continuity indicates that there should be a flow or connection through design that leads to the product. It means focusing the viewer’s attention on some object in order to ensure that the motion of looking should have no jerk. Logo design can be done by designing it with curves that can lead the sight in the needed direction. This principle helps when modeling the logo to achieve the needed balance and structure rather than a flowing look.

Closure

Closure

When some parts are missing or partially covered, continuation is one of the Gestalt laws that holds that people will be able to identify wholes. Logo design can be used to create appealing and unique logos by including only fragments of shapes or signs. The audience will be able to recall various segments, so even if there are only several components of the logo, they will appear whole to somebody. This technique can enhance the general impact of the logo in people's minds since their brains have to work in order to decipher the image that has been designed by the logo’s designer.

Figure-Ground

Figure Ground

It is a concept that describes how the primary central component of a design, termed the figure, works with the background called the ground. This relation between positive and negative space is often tried and twisted in the course of logo designing as it is effective. For instance, the background area can be an aspect of the picture or letter in the logo, while the foreground is the main component of the design. It can also introduce more freedom in the logo and the possibility of its easy memorization because of the desire that arises when one is placed on top of the other. 

Symmetry and Order

Symmetry and Order

These are the position of the elements with the perception of balance and order in the created artwork. It makes them have a symmetry feel since the elements in these logos are balanced.This can be done using mirror or repeat elements. Ordering provides a nice and professional appearance which makes the logo look much more professional and appealing to consumers of the brand being represented.

Gestalt in Famous Logos

  • Apple: Closure is found in the Apple logo. The bitten apple shape isn’t fully represented, but people will unconsciously feel that there are missing parts and complete the shape themselves. The benefit of such a design is that the logo is easy to memorize and distinguish from others. 
Apple
  • Toyota: Toyota utilizes similarity and proximity in its logo. The circle shapes give a united and strong picture, and, at the same time, the letter T is traced here, which enhances the quality of brand values.
Toyota
  • Amazon: The continuity is used in the Amazon logo. This is followed by an arrow from ‘A’ to ‘Z’ which indicates that they have all products under a roof, and it gives a smooth flow in the layout. It leads the viewer’s eye and underscores the great number of products offered.
Amazon

Hidden Messages in Logos Created with Gestalt

  • Baskin-Robbins: Closure can be seen in the Baskin-Robbins logo, while figure-ground can also be observed in the same logo. The brand name symbolizes the number 31, as is evident from the hidden number 31 in the letters B and R - 31 flavors of ice cream. This detail is not visible to the common man, but it contributes to the appeal of the logo, as well as proving that the brand is not limited to one type of design.
Baskin-Robins
  • NBC: The NBC logo employs symmetry  and order as some of its features. The feathers of the peacock are positioned in a symmetrical manner and the sensitivity of the bird appealing for the networks’ diverse program selection. Due to the imposed symmetry the logo will look good and it also symbolizes the different genres.
NBC
  • Toblerone: Toblerone logo also employs figure-ground and closure shapes. The mountain shape in the logo contains the figure of a bear – this is Bern, called the ‘City of Bears.’ Such design is deeper and connected with the brand’s Swiss roots.
Toblerone

Gestalt Principles in the Digital Age

Gestalt Principles in the Digital Age

Gestalt principles are actually highly effective in today’s world of internet interfaces and other digital products to make web pages and app interfaces more comprehensible and more interesting. Here’s how these principles work in the digital age:

  1. User Interface Design: In contexts of apps and websites, proximity works to cluster related items collectively, such as buttons and labels, so that individuals understand what suits them together. Similarity guarantees that elements will look similar if they are similar, for example, icons or buttons, so the user will understand the function of the item.
  2. Web Design: Continuity is employed on websites to ensure a smooth flow from one element to the other by maintaining the same shade of colour, typeface, and arrangement. This is used to highlight important parts such as special offers or important information by having a different background or a contrasting shape.
  3. Mobile Apps: Using closure for mobile applications, it is possible to create easily identifiable application icons. Users can remember the part of a shape or symbol and guess the rest, as the icons are well suited for small screens.
  4. Brand Identity: Continuity is maintained throughout the different media to ensure that a particular brand image is not distorted. This means making all the letters and graphics as far as possible of the same color and typeface as the trademarks are to ensure that when people see it they realize it is the same brand.
  5. Advertising: In digital advertisements, figure-ground can be useful in making concepts stand out. This is because negative space is the use of space around the ad to create other images or messages, thus making the ad stand out.
  6. User Experience (UX): Applying Gestalt principles makes a digital product look and feel natural and easy to operate. Symmetry and order make the designs balanced and organized so that people will be able to find what they are looking for and have a good experience with the product.

Future of Gestalt in Logo Design

Future of Gestalt in Logo Design

The future of Gestalt principles in logo design is promising in terms of new technologies and trends. In creating the logos, the principles of gestalt will be followed with a view of making the logos flexible and attractive in the different media. All these principles will have to be used in personalized logos for a higher level of interaction with single users where they can change the logos according to the user. At the same time, there will be more association with minimalistic elements, and with the help of closure and figure-ground principles, even minimalistic logos containing hidden meanings and details will be able to be introduced, and there will be an ability to convey a large amount of information with the help of a simple and small sign. Therefore, Gestalt principles will always be applicable since the need for stylish and efficient logos will always be demanded in a world where technology changes frequently.

Common Logo Design Flaws and How to Resolve Them

Common Logo Design Flaws and How to Resolve Them

Some of the issues that may be associated with logo designing are that they may be complicated, may not be optimised for resizing, and might have a problem of brand identity inconsistency, contemporary designs, and inflexibility of logos. Logos should not be complicated to comprehend therefore simplifying them should be a wise move. Some logos are poor when stretched, so they should look good whether used large or small. 

 If the logo does not define the message of the brand, people will get confused. Therefore a logo should define the brand. Logos designed with an eye on trends can look very old hat in less time and therefore aiming for an eternal style is ideal. 

Some logos that are designed cannot adapt to the use of different colors or backgrounds hence, having other versions of the logo can be a plus to the whole logo. These are important to address in order to guarantee that a logo is easily recognizable, versatile, and easily discerned. 

Conclusion

Knowledge of Gestalt principles is useful in designing logos that are easy to comprehend and those that can be easily associated with an organization. Applying principles like similarity, proximity, continuity, closure, figure-ground, and symmetry means such logos can be easily understood by viewers and pop appeal. For example, the apple with the bite in its figure is an example of closure and the other-shaped figure of Amazon. com with arrows showing continuity as they sell anything from A to Z. All these principles are still fundamental even in today’s modern technological era. They make websites, applications, and digital artwork usable and aesthetically appealing. As such, there is potential for using the Gestalt principles in designing contemporary and versatile logos in the future. To prevent topics such as complexity, poor scaling, and improper branding, it is necessary to keep logos simple and versatile. This way, they will be well-groomed at all times and functional across screens and sizes.

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